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Free Poker Chips, a Band, and a Mini Casino Tour

If the Pandemic cooperates, Phish will continue their 2021 4.0 tour into the Fall. Starting Aug. 13, the band plays Atlantic City, and then will be at Harveys Casino in Stateline, NV starting Aug. 31. The Fall tour ends with a Halloween run in Las Vegas.

Ask anybody and they know that I love gifiting creative items to unsuspecting people. Over the past 20 or so years, I’ve given away stickers, posters, buttons, stencils, and other fun items. The fist sticker I ever made was the “Creativity Begins Within” for 2000 Burning Man, and I gave them all away. I love the concept of “Free” espoused by the San Francisco Diggers, and Burning Man is onto something with the ideal of giving it for nothing in return.

Then there is the ancient concept of Dana, practiced for centuries, which can be about giving just to feel the goodness of the act while expecting nothing in return.

When I saw that u/churchisweird and his wife were giving away poker chips (with fun band quotes and show details) at all the Phish shows in Atlantic City and Las Vegas, I got excited. A few Phish subredditors had already asked about the Harveys shows in Stateline, but u/churchisweird and his wife weren’t going to the shows.

Phish redditor u/churchisweird and his wife designed some great chips to give away at 7 different Phish shows! I was inspired to join in on the giveaway fun, and made two more sets for the Harveys NV shows.

I DMd him, told him I loved his idea, and said I’d give away chips for Stateline/Harveys if he wanted to make any. We started chatting, and he told me that he actually bought the chips from an online company (Chiplab). He wouldn’t be making any for Harveys. Along with the chip-making site, he also shared a great Phish resource for word searching songs to get money-themed hits within Phish’s original and cover lyrics.

We both agreed that giving away something to the community we love to be part of was a great idea. The good vibes of the idea kept piling up for me, and I happened to have some free time to poke around on Chiplab. After some trial and error with their simple graphic design interface, I had two chip designs for the two-night run at Harveys. I made sure to use a color and some Phish lyric quotes that u/churchisweird hadn’t used, and I ordered several dozens to get printed for my own free giveaway.

The 2021 Phish Casino Tour poker chip giveaway is complete! Now phans can possibly snag a chip from every run in a gambling town/city, and my two designs make 9 total chances to collect them all… if you’re lucky. 🙂

The chips were delivered this week, and are now ready to hand out to the lucky few in Stateline. I’m quite excited about this and hope that the shows don’t get postponed due to the current Delta wave of the Pandemic. My plan is to dress up as a Phish-themed croupier (ahem, a GROUPier, lol), with a vest, a bow tie, and my funny fish hats, and wander around a bit each day of the show to hand out some chips. I’ll take what’s left to the show each night.

The table is open and ready for play. Put your money where your mouth is and drop some goodness in your pocket. Time to feel that tingle that gifting gives, being present with each moment where a phan smiles, laughs, or wanders off a bit confused. Whatever happens, it’ll be all right….

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Celebrate People’s History gets 2nd Edition (2020)

“The new Celebrate People’s History poster book is printed, and it looks beautiful! There are 202 posters included in this new edition, an expanded intro, and a new foreword by the amazing Charlene Carruthers. Drew Stevens at the Feminist Press did a fabulous job on the design.” – Josh MacPhee

Support Josh MacPhee, Celebrate People’s History, and Justseeds by pre-ordering the 2nd edition copy of this great book here on the Justseeds website.

In 2010, I blogged the backstory of creating a poster for the 2010 edition of “Celebrate People’s History.” Working on the poster goes as far back as 2006, with artist Mark Cort, about a somewhat forgotten slice of South Carolina colonial history: the Stono Rebellion. I researched the event, cut the stencil, and wrote the text while Mark handled the illustration and layout. The art was in pieces which Josh kindly took and scanned and assembled into a nice CPH poster.

I got an email from Josh earlier this year with the news that the book was getting a second edition publication. He asked for autobiography blurb updates, with more news to be coming soon. Turns out the book will be released early August. I was honored to be in the first book, and glad there will be more posters to discover in this edition. And I’m still fascinated by the events that occurred at the Stono River in 1739, along with the event’s reverberations that can be felt today.

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Make a Shoe Box Crankie – The Greatest Hit

Make a Shoe Box Crankie. It’s easy!

About 15 years ago, I decided to produce a CrankyFest here in San Francisco. I felt then that this not-well-known storytelling device needed more spotlight. As part of the fun, I put together a DIY Shoebox Crankie design and encouraged participants to make their own during the event.

The 2005 “Make a Shoebox Crankie” how-to remains the most popular page on my website.

As people continue to click the DIY page, which makes me happy, I thought I’d give the Crankie pages another mention after all these years.

A simple search online shows that Sue Truman’s The Crankie Factory is still getting updated and has amazing links, history, and how-tos. Her website goes deep and is a great resource! Good to see that NW Puppet Center in Seattle is still hosting Crankie Festivals. Before she discovered my site in 2012, I had created a few pages to try to flesh out some Crankie history and mechanical details.

To give this all a bump for 2019 (it has been a while since I’ve posted crankie content), here are most of the older HappyFeet links all in one list. Please note that some of the external links in these older posts may not work anymore.

In 2010, I snapped this photo of a Bread and Puppet crankie backdrop for a toy theater “ding dong” suitcase set up.
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MAD Zeppelin: The Assembly Begins

Bob Clarke’s MAD Zeppelin: The Assembly Begins
Putting the Balloon and Hull Units Together (Figures 1-3)

INTRO
When the 1965 Worst From MAD No. 8 copy arrived in the mail, I went over to the copier machine at work to make copies of Bob Clark’s MAD Zeppelin insert. I didn’t put much thought into how to make copies. Fortunately, Clarke made all the parts one-sided with perforations that could be folded over to make a second side. I quickly realized that I would have to push the spine of the MAD down a bit to get the parts closest to the gutter to lie flat for the copy.

Yikes! This pushing caused some of the die-cut parts to partially come unattached. There goes a possible grade-reducing defect. Even with moderate pushing, the color copies had a perspective”smear” near the gutter at the magazine’s spine. This can easily be seen in the photo showing most of the Zeppelin’s Balloon Unit (Clarke chose to capitalize the word Zeppelin and its smaller parts throughout his instructions). Look at both parts labelled Tab A and you can see the difference.

I wondered if this would cause the MAD Zeppelin assembly to be a bit off. Since the Balloon was Figure 1 of Clarke’s instructions, I hoped it wouldn’t come out too bad. As we shall see, another part caused the biggest headache, and it wasn’t smeared in the gutter.

Continue reading “MAD Zeppelin: The Assembly Begins”

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CELLspace Metal Mural Gets Rehomed

Metal Mural Gets Relocated from Mission Local on Vimeo.

As the fate of CELLspace became more clear in early 2014, I knew that I’d have to deal with the murals I’d been facilitating on the building’s facade. The masonite and wood panels were easy enough to take down and store. I had worked directly with the artists so had been in contact with most of them about the fate of their art. One mural went to the Bike Kitchen (they funded its creation). Jet Martinez didn’t want his and didn’t want it to be saved. Many of the artists were OK possibly selling the panels, with some funds going to my Stencil Archive project. Swoon had no desire to save her art and was sad to know the art space was going away.

While in process, the Bryant St. panels came down a bit too early after a tagger painted throw-ups on about three of the panels in July of 2014. I found out later (one of the tagged artists knew the guy) that this person was shit-faced drunk and didn’t even remember destroying three murals. Two of the murals were significant pieces, one being SPIE’s “All our Relations” from 1996.

Alarmed at the vandalism, I got volunteers to quickly take down the panels I had spent months trying to save and rehome. I caught flack from the folks still in the building and had a very terse conversation with the management there about making the space vulnerable and unattractive. Well, it is a warehouse and you can easily redo the windows with your own plywood. As the months advanced, Vau de Vere had many other issues to deal with in the space, and eventually were asked to leave by the developers who planned to build the largest condo building in the Mission.

Continue reading “CELLspace Metal Mural Gets Rehomed”

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Flashback: the 2004-era HappyFt

Ooooh…. 2004. Blogs were exploding. Flash drives were a rarity. Bush’s wars drug on. And good ole’ Happy Feet was on the webstreams. With the recent backing up and rooting around the site, I realized that I still keep a copy of the old version of this site (I call it 2.0) up and running. That’s Jacqueie Ben-Eliezer in the masthead (RIP), Frank “12 Galaxies” Chu with the sign, and Mr. Leon Rosen looking all mean with the sticky note (that says “Leon has a posse”). There’s also my fun “@bomb” favicon, the secret <3 (did emoticons exist in ’04?) link on the masthead, and links to all the other pages I had running at the time. Once blog tech got easy to install and use, I basically took the same themes and used them as categories on this version (WP v3.0). Guess this is my #TBT post a day late….

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Stencil Nation: Flashback Radio Interview

Stencil Nation on Cross Currents (2009)
(Click link to access player)

I’m in the process of saying farewell to StencilNation.org. The book is officially out of print (Manic D Press has corrected me, stating that the fourth printing is still in print) and the website was designed (by Antonio Gomez) in the heady days when Adobe Flash was du jour. With the rise of mobile phones and HTML5 (and the whole responsive site mania), it is time to retire the Stencil Nation site and redirect to Stencil Archive (the mothership).

While backing up Stencil Nation one last time, I saw a random mp3 file on the top level of the site’s backend. I clicked listen and it was a Cross Currents interview I did while on the book tour. It was a great experience and it actually riled up a listener who felt that all public art was vandalism. Fun!

I guess I was worried about taking up too much memory back then. Good thing the cloud revolution caught up and now memory is practically infinite. The interview mp3 is on this site’s cloud, and WordPress even allows super easy linking via its “Add Media” button.

Here’s my original post about the interview:

Had a great bike ride over to the KALW studio near McClearen Park this morning and interviewed with Penny Nelson for Cross Currents. The engineer, a bike commuter, told me another route that sent me through the park and then down Mission St. in the Excelsior District. Found some stencils along that ride home! They posted the show early so here’s the goods. Fast forward in about 3 and a half minutes to hear my segment. About 10 minutes long total.

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Halloween with Mr. Nobody

The Spookeasy Website is UP!

Mr. Nobody's Spookeasy, Halloween 2014!
Mr. Nobody’s Spookeasy, Halloween 2014!

Just a teaser for now: Over the past few years I’ve been working with Scott Levkoff making very fun adult-themed puppetry events. This is only a sliver of the fantastic vision that Scott has for interactive play, but I have been a minion for his swamp-god Mr. Nobody (black light puppetry… a dream fulfilled at last!), Mr. Nobody himself (and VERY hungry), as well as animated black-light objects, and part of an “animatronic” puppet fortune-telling bit. It’s always a pleasure to work with Scott, so always hard to say no to his invitations.

Coming up, I will be animating objects/puppets for Scott at :::: The first-ever San Francisco Spookeasy Halloween Extravaganza is a new, daring, bold and sophisticated multi-evening experiential destination party that will transform Chinatown’s Great Star Theatre into a scintillating circus-like, madcap seance soiree beckoning back to life ghosts, spirits, and specters from the raucous and rollicking red hot era of 1930’s Burlesque and Barbary Coast Vaudeville in a decadently opulent Max Fleischer-esque “ToonTown” parallel universe’s haunted Prohibition-era Speakeasy.

Sounds fun, right?! More details and pics coming in the following weeks….

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Farewell CELLspace; Farewell Murals

I spraypainted Scot t Williams's huge gorilla on the back door of CELL.in 2010. It is gone (as is the piece that replaced it) due to tagging.
I spraypainted Scott Williams’s huge gorilla on the back door of CELL.in 2010. It is gone (as is the piece that replaced it) due to tagging.

Almost to the day today, I arrived in San Francisco in 1997 with two suitcases (one full of camping gear) and a vague idea of what I wanted to accomplish in the City by the Bay. The words that kept bouncing around in my head were: diversity, creativity, and adventure. I had no idea there as a dot com boom and that the vacancy rate was under 1%. I didn’t even know what a vacancy rate was! I did know that I wanted to be part of something amazing, and if possible, somehow create amazing cultural bits that others enjoyed.

In 1998, I started volunteering for CELLspace, which at the time was a funky underground artist warehouse with folks who had a similar vision that the one I was chewing on. Years later, I tried to move on and open my time and life up to other amazing projects. So CELL got put on the backburner, until 2008. That was a crucial year for CELL, now a nonprofit with paid employees. While on the road touring for the book and for the Conscious Carnival, word started getting back to me that CELL was financially imploding. I wasn’t surprised.

Then I got a call from Jane and Tony Verma, two long-time Metal Shop artists, asking me to help them curate a stencil exhibit on the facade of CELL. Things were bad at the time and CELL’s doors were shut (all the employees and most of management were very far away from the space) due to no one being there to maintain and run things. But the Metal Shop was still holding their cluster together. The Metal Shop designed and built an amazing metal window-covering mural, complete with space in the bottom for showing art. They had reached out to a few artists in Stencil Nation, but needed more. Stencilada was born, and thus began my final run of volunteering for CELL. Continue reading “Farewell CELLspace; Farewell Murals”

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Tour Makes SF Weekly’s 2013 Best Of

 

SFWeekly Best Of

 Best Way to see the Mission Before it’s Annexed to Google – 2013

Scout for Street Art Walking Tour

http://Vayable.com

Russell Howze describes his tour as a “three hour zigzag through the Mission District.” For fans of street art, or anyone curious about the changing city, it’s a zigzag worth taking. Howze has been chronicling the stencils, tags, murals and graffiti that decorate San Francisco for 15 years, and is the author of the street art tome Stencil Nation. His tour explores alleys that will be new to residents and tourists alike, and keeps an eye on the shifting cultural tides of the neighborhood. “Urban landscapes are always changing,” Howze said, pointing out that while many of the tech workers moving into the Mission appreciate street art, they also bring security cameras and fences.

2013 SF Weekly Best Of Winner....
2013 SF Weekly Best Of Winner….

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An Obituary for CELLspace

Written by Devin Holt (I pitched in with info, editing, and whatnot)

CELLspace, community arts center, closed its doors at the end of 2012.

During the late 90s and early aughts, there was no better place to see the Mission District’s artistic, multicultural vibe than CELLspace. San Francisco prankster Chicken John was known to decorate the 10,000 square foot warehouse as a Las Vegas casino; the Flaming Lotus Girls created their first large scale fire installations in the CELLspace Metal Shop, and during Carnaval, the space would burst at the seams from the ritual drumming, colorful rattling costumes and sheer number of teenagers involved in groups like Loco Bloco and Danza Azteca.

Michael Sturtz was so impressed by CELLspace that he named his industrial arts school, The Crucible, after their art gallery.

“The name was inspired by the Crucible Steel Gallery, which was the CELLspace gallery at the time,” he said. Continue reading “An Obituary for CELLspace”