Space is the Place

Last year, a construction site in Hayes Valley, SF opened up an awesome portrait mural of the master alien Sun Ra. The Sun Ra Arkestra plays often around the corner at SF Jazz, keeping the interstellar beams alive from the atoms of far away realms. I frequently bike by this spot, and a new second floor is once again blocking the view of our favorite man from outer space.

PBS has also given Sun Ra an episode of American Masters. “Sun Ra: Do the Impossible” will premiere 2/20/2026.

And the SRA in once again heading into the San Franciscan audial realms, playing The Chapel on Valencia St. at the end of February.

I strongly recommend taking a deep dive into live Sun Ra. There are hours of audio concerts on the YT streams, and my atoms have been rearranged several times by letting the Arkestra flow into to my inner/outer being. See you out there, beyond the sun!

Whatever You Do…

7-footed Fem-o-saur

When I last visited Vermont [in Aug. 2004], I spent 3 crazy days in mud, sadness, and relief at Phish’s last stand, Coventry. Mud season had hit early via three tropical storms that blew over right before the festival opened. All the planned fields of parking were fields of shit-smelling mud. My life-long friend and brother Mark helped me make it to the show, wanting one last goodbye to all our years of Phish shows (and hoping to cheer me up as my life began to unravel). The locals were super nice, the sunsets were amazing, and I promised myself that I’d return to Vermont soon. – HappyFeet Travels entry, from VT, in April 19, 2006.

The Photographer, at Coventry, VT

Once again, I have written a comment about a Phish festival experience (I wrote about the Clifford Ball here). Someone on the Phish subreddit asked if anyone had fun at the Phish Coventry festival. I had to think about that for a minute. Was it actually fun? Two memories vividly popped up; one was spending a few hours near the entrance cheering on the folks walking in from the freeway. Another was seeing my friend Mark’s hilarious photographs of shoe wear (or lack of shoes) from other phans. And a police horse.

Hoofin-it

Getting digital photos back in 2004 wasn’t as easy as it is now (cloud storage was about a year away from becoming a new and easy way to share). Mark didn’t even use a phone camera to snap the pics. He eventually gave me digital copies, which ended up on a hard drive with other photos. I rediscovered them a few years ago, and frequently look through them for a laugh. Mark had a great time meeting folks and giving their shoes, etc. funny titles. It was a great way to participate during a sad, dreary, shit-smelling weekend.

The Phorgotten

The following is what I wrote for the subreddit post (with a few revisions for clarity). We had a madcap adventure, which swore me off of flying around for music festivals. It was the end of the 2.0 era of Phish, which was thankfully short. I didn’t mention a few other memories on the subreddit post. One that really stands out is of a strung-out young hippie coming up to our car/camp site and asking us if we knew where any “pharmies” were. Before we could ask her what she meant, a neighbor interrupted and furiously told her to piss off. We asked him what she meant, and he explained that it was legal prescription “hillbilly heroin” that was ruining the scene. And Trey’s life. Oooooooh. That’s what Trey is addicted to. Damn.

Latest Mummy Fashion

Coventry was a surreal, exhausting, muddy experience.

My bro Mark and I flew into and met up in Montreal a day before gates opened. We saw on the hostel’s desktop computer that phish.com had a notice saying that three tropical storms had delayed the gate opening the next day. Wait to drive in, they requested. I looked at Mark, and we both agreed to “leave first thing in the morning and get there ASAP!”

Driving into the USA sucked, but we were older phans and intentionally drove in looking clean-cut with no contraband. The dogs found nothing, but a few other cars/phans weren’t so lucky.

We bought groceries (and mud boots) in town, and a tow truck driver shopping there told us how bad things were on site. He drew us a shortcut to get closer to the gate, saving us about 8 hours of waiting in a longer line of traffic! Driving in was a painful and brutal experience. People kept falling asleep in the car line, and we spent 8 hours hopping the sleepers (I’d yell to try to wake them).

Golom in Goth

Finally through the gate, we saw a surreal scene of empty fields of mud with huge-wheeled tractors pulling cars into the middle parts. “Screw that” we said and literally drove into the mud on the edge of one of the “roads” (where most cars parked). Setting up a quick tent, we called it a day, instantly passing out from the trip. I awoke hours later, hearing the “do not come to Coventry” message that Mike had recorded. The message was playing over and over on the pirate radio station set up for the festival, and probably being broadcast as far as Boston on rock stations. Our neighbors were abuzz over what was going to happen next. No one had any idea how the folks still stuck in traffic, or about to leave from New England cities, were going to deal with the announcement.

After eating, hydrating, and getting settled, we saw an RV alone in a muddy field flying a South Carolina flag (our home state). We trudged down there to say howdy. They were exhausted, not too happy, and freaked out about how to get out of the field (they paid the huge tractor to tow them in there). Bummer. We trudged out of that swampy field and wandered around a bit. Up on a hill, I saw a beautiful sunset that day and told the person beside me, “what an amazing sunset!” She said “I know. I live here!” umm, ok.

Heading to the first show was surreal. After a very long walk from our car, near a vending area, wooden pallets made a small path through a pond of deep mud. Cut the line in the mud at your own risk! I kept hearing the “cowbell” SNL skit as we trudged with the masses on the tiny path. The pallets eventually ran out, and 1000s of phans had not choice but to head to the entrance in a pool of stinking mud. I heard the groans of 100s ahead of us, as they entered the swamp, so knew something horrible was coming. Beyond being yet another metaphor of Phish’s last concert, to this day, I consider the walk to the first night as a ring of hell.

At the gate to the show, fences were torn down. No one was looking at tickets, so it was a free concert (if you weren’t in traffic). Too bad the music quality was mixed. First impressions in the show area? Trying to get close meant hitting a river of mud. Huge boulders were in front of the stage, a symbolic reminder that Trey’s addiction was blocking the whole experience. Or maybe the boulders were a symbol of the weather creating massive difficulties for the fans to even get to the show. As for the music, after a few horrible flubs, I couldn’t take it any more and went back to the car to rest and listen on the radio. I had to turn it off after a while. Mark stayed at the show and enjoyed it, saying it wasn’t as bad and I thought it was.

Severe Gang-green

Day two was actually quite fun, in a schadenfreude kind of way. We set up chairs at the entrance and cheered on the immigrants from the Interstate. The sun was shining. It was great to see the exhausted shoe-bums finally get into the last-ever Phish show! I recall the most popular item brought into the festival area were coolers. Beer and food! Mark took his camera and photographed muddy feet and shoes. His photo project was hilarious once he developed the film (most of them are posted here). There was food and fresh water access. We had beer and bud. No one really wanted to talk about the quality of last night’s show, but seeing people arriving from the Interstate was all smiles and cheers.

Getting in that night wasn’t as miserable as first night. We tried to get closer, but ended up on the audience-right wall that was officially an open urinal and smelled horrible. There was a river of mud that few dared to go into, but Mark tried. I had a good laugh over it and saw others laughing at his getting stuck in a mire.

Back to the Page side of the stage, we climbed a hill and watched the scene. Again, the band was barely together. Hearing Page and Trey cry was such a sad moment. We heard the encore at the “gate” of the concert area, ready to leave fast to beat more hell traffic. It was a sad moment to an exhausting weekend, but we did manage to have some fun.

Truffle Probes

Prior to that last note ever at the gate, earlier in the day, we had neighbors help us push our car out of the mud, and we parked in the “day lot” to get a fast exit out of the festival. After that last note, we beat a downtrodden path to the lot. Security blocked us off at a road that led out of the backstage area. We watched three different buses drive out of there; it was the band. Page actually gave a forlorn wave to us from one of the windows as we gave one final cheer to the boys. We all knew that Trey was probably alone and isolated in his own bus. Damn.

We were probably one of the first cars out. Driving past dozens of cop cars with lights blazing, we wandered into dark Vermont back roads until we found a lodge with a clean bed and – most importantly – a shower! Drove back to Montreal the next day and, after trying poutine for the first time, flew back home.

Convertibles

After all of that, I swore that I’d never travel to see Phish, or go to another festival. I’ve broken that first vow, and may eventually break the second.

Postscript: When I went back to Vermont in 2006 to work for Ben Cohen’s Sensible Priorities art car carnival, I managed to head back to Coventry for a visit. The site was easy to find, especially with no traffic! I parked my van, and walked onto the field. After only two years, the fields had grass on them. I recall that the boulders were still there, as well as some infrastructure that had sunk in the mud. As always, the vistas were of beautiful Vermont countryside. During that quiet moment, I tried to visualize the mud and masses, the sadness and exhaustion. Phish was gone. Trey hadn’t been arrested yet. And, two years back,, we all had to take care of our shoes that weekend. Some of the unlucky ones are probably still stuck in the cow field muck. And the others are photographs and memories.

CELLspace Metal Mural Gets Rehomed

Metal Mural Gets Relocated from Mission Local on Vimeo.

As the fate of CELLspace became more clear in early 2014, I knew that I’d have to deal with the murals I’d been facilitating on the building’s facade. The masonite and wood panels were easy enough to take down and store. I had worked directly with the artists so had been in contact with most of them about the fate of their art. One mural went to the Bike Kitchen (they funded its creation). Jet Martinez didn’t want his and didn’t want it to be saved. Many of the artists were OK possibly selling the panels, with some funds going to my Stencil Archive project. Swoon had no desire to save her art and was sad to know the art space was going away.

While in process, the Bryant St. panels came down a bit too early after a tagger painted throw-ups on about three of the panels in July of 2014. I found out later (one of the tagged artists knew the guy) that this person was shit-faced drunk and didn’t even remember destroying three murals. Two of the murals were significant pieces, one being SPIE’s “All our Relations” from 1996.

Alarmed at the vandalism, I got volunteers to quickly take down the panels I had spent months trying to save and rehome. I caught flack from the folks still in the building and had a very terse conversation with the management there about making the space vulnerable and unattractive. Well, it is a warehouse and you can easily redo the windows with your own plywood. As the months advanced, Vau de Vere had many other issues to deal with in the space, and eventually were asked to leave by the developers who planned to build the largest condo building in the Mission.

Continue reading “CELLspace Metal Mural Gets Rehomed”

Panopticonic Shrugs in the Snowden-net

Almost March and no posts for the new year. I have felt eyes upon all corners of my privacy so haven’t felt too inspired to spend time staring at a screen and writing. I don’t know what think. My mind is blown. I have become introverted. I deleted email accounts. Changed passwords (so many hacked bank and store sites). Have a 2D avatar. If anything, stencils. Meeting up with friends has become important.

With gentrification comes cameras. Cameras on MUNI buses (at least 4, one pointing out the windshield, with one purpose: get evidence and write tickets for cars that park in bus stops). Cameras on bikes (thanks GoPro). Cameras on sidewalks in front of condos, and people constantly staring at cameras -er – cell phones.

The eye stares far and wide!

I am currently reading Glenn Greenwald’s “No Place to Hide” and the book’s statements make me furious. It’s a hard book to read. Fucking NSA! I never thought I’d feel a generation gap, but I feel one now. The Gen Web young adults have a very different idea of what privacy is. And I guess I like to keep it old school, i.e., “butt out of my private life.” Continue reading “Panopticonic Shrugs in the Snowden-net”

Intersection Watching: Amazed at the Chaos

I’m going to miss bike commuting the first few blocks of Sansome St. in San Francisco’s Financial District. That’s right – the nonprofit that I work for is going to move to downtown Oakland in the next three months. We are fleeing the booming high-rent space ($52/square foot in our current building) in order to grow and have the extra funds to support the growth. I may write more about my first ever desk job in Oakland, but for now – the poetic chaos of Sansome Street.

The yellow highlighted area marks the main stretch of my commute that fascinates me twice daily.
The yellow highlighted area marks the main stretch of my commute that fascinates me twice daily.

I frequently discuss traffic with a friend who happens to drive for Lyft (and Uber) and write freelance. During one of these discussions, I shared a story about how an Uber limo driver decided to drive around a Muni bus and the three cars stuck behind it. You may see a driver make this maneuver in other parts of San Francisco. On Sansome St., the Uber driver drove into the oncoming lane, into a gridlocked intersection, and only had an option of turning right (Muni buses can turn left and then zag right onto Market St. while all other traffic must turn right onto Sutter St.). Continue reading “Intersection Watching: Amazed at the Chaos”

An Obituary for CELLspace

Written by Devin Holt (I pitched in with info, editing, and whatnot)

CELLspace, community arts center, closed its doors at the end of 2012.

During the late 90s and early aughts, there was no better place to see the Mission District’s artistic, multicultural vibe than CELLspace. San Francisco prankster Chicken John was known to decorate the 10,000 square foot warehouse as a Las Vegas casino; the Flaming Lotus Girls created their first large scale fire installations in the CELLspace Metal Shop, and during Carnaval, the space would burst at the seams from the ritual drumming, colorful rattling costumes and sheer number of teenagers involved in groups like Loco Bloco and Danza Azteca.

Michael Sturtz was so impressed by CELLspace that he named his industrial arts school, The Crucible, after their art gallery.

“The name was inspired by the Crucible Steel Gallery, which was the CELLspace gallery at the time,” he said. Continue reading “An Obituary for CELLspace”