Approaching 36

I enter into my 36th year humbled and amazed. These past twelve months have been a time of upheaval, precarity, despair, and loss. I walked into the void where things fall apart, and that nothingness has left me directionless. I don’t know if I want a guiding star because I am falling into the deepest, darkest places that I thought I had visited in the past. I need to work these things out, or begin the process of discovering them. I want to confront the darkness, my fears and insecurities, and become the person I have always been.

The pain that exists there, cob-webbed nooks in my lifetime of travels, will creep around inside me forever. The emotions that are wrapped around those locked-away places are twisted and gnarled, like a rope that a tree has grown over (or a knotted muscle from an old accident). The ropes lead to other places, tangle together, creating walls and rooms. In one of those rooms I scream and I cannot hear myself. I look on through a thick, stain-glassed window.

Luckily, that window can open, and I am on a journey that will lead me to that room where the shrieking me is. Do you know where the monsters are in the darkness of your memory? I used to scare myself silly as a child, having frequent dreams of trapdoors, imagining dead people walking up the steps from the mortuary. I was afraid those visions and I’m afraid now. The adult that never confronted what scared him most is currently trying to find out what the hell those horrors are.

This 35th year seeps into my life’s journey like the experiences I had in Atlanta about 10 years ago. At 25, my life imploded, I betrayed my best friend, lost many others, and sunk to the bottom of the pit of loathing. I spent two years climbing out of that hole, traveling alone in Europe, living alone in Greenville, not dating, learning to love myself, and eventually traveling across the country to land in San Francisco. I arrived into the present without a job, room, or clue. My mother, always the prophet, predicted that I’d fall in love with someone in SF and never move back to SC. She was right on both accounts.

So, ten years later, I stand alone again in the endless darkness of the present moment. Every action I have made led me here, where I’m learning to breathe again. I didn’t realize that dealing with my shit would be a lifelong thing, but know now that it is. I am preparing myself to be up to the task to find myself in the moment, to relish the emotions that come and go in the emptiness.

Today, a simple phone call set me off. I could go into the details of the phone call, but it would be a waste of time. Instead, I began to breathe and observe the emotions and present feelings. This led to an hourlong process that happened mostly in public, in my heart. I was angry, why? Because I don’t express myself that well. Why? Because expressing myself is bad. Why? Because it makes me feel dirty. Why? Because I’m a failure. Why? Because my (biological) parents got rid of me. The last answer came to me in my room as I wrote in my journal, and I instantly began bawling.

I didn’t cry because it was all an illusion. I cried because it was an obvious discovery that finally crept out of its musty hole. I know that I’m not any of those things, but I am all of those things. They are the ropes that have tree trunks grown around them. Hard to find, pull out, and discard. I can deny this all I want, but know that it is true. It is also not true. There’s just the conditioning that goes with forgetting where you are at the current moment.

Which is headed to my 36th birthday. This past year, I have observed the metaphor and symbolism of the things that come into my life. Why did the woman bless me last Thurs. when I sat in a bar and focused on my heart via breathing? Why did that butterfly die on the trip up to Oregon? Why did the body worker give me a seed to nurture myself 6 months ago? Why did I find the tarot cards, and pick the 7 of pentacles, a man with a hoe? What am I planting with all of this, what will grow from it? How are my friends, community, and family providing the soil for this transition to grow out of?

What is in store for year 36? I am lost, sad, broken, yet alive, observing the seconds, and connecting with the atoms of the universe. I’m a mess, peaks and lows come when they want to, but I am here. The world falls apart, people die and are born, and I am pushing those stain-glassed windows open to hear the beautiful sound of my screaming. Years ago, I dreamed of my niece, Anna, standing in front of a collapsing building. She had no idea that things fell apart behind her, and just smiled as the wind gently blew her blonde hair. I instantly woke up form the horror of that toppling building.

I failed to notice that my beautiful niece stood firm, unwavering, and in the moment of her own happiness. I was that building then, and now, but I am about to be that grounded child. Like Roland at the end of the Dark Tower, I am starting the story over. Except I have a magical item with me this time. It is the clue to find the balance of falling in this endless void and illusion. It is the fact that I live, I feel, and I am here.

Last week Rob Brezny gave me yet another totem to carry, feel out, and savor. My horoscope (I usually take them lightly) from last week fits my current circumstances:

Please speak the following series of declarations at least once a day in the coming week: “I want to drink in the brilliance of someone’s beautiful eyes today. I want to dream of the kind of intimacy I will someday be worthy of. I want to learn to enjoy everything that I do and everything that happens to me, even if it’s not what I expected or thought I needed. I want the end of every story to be quickly followed by the beginning of the next story. I want to go home to a home I have never known.”

puppetsIan Greeb Art Show

Hello my fine friends,

I am having my very first art show coming up on this Friday. It will be at the Mama Buzz Gallery/Café in Oakland. I know that that will be hard for the SF crowd to cart themselves all the way over to O town, but if you do I will give you a map of the moon or a car or some lint.

There will be new Sculpture from me on the walls. Oh yes, there will.

2318 Telegraph Ave @ 23rd
Oakland, CA 94612
510.465.4073

I assume that the opening will officially start at 6 or something. How about them apples? I’m sure I forgot to invite many important peeplz, but my brain is a slow creature. If you can think of anyone to invite, please do!

Lub,
~ee

soundMC Rai live with Jef Stott and special guests

August 5th, 6th, AND 7th Bay Area Massive!

Music Of Northern Africa with MC Rai and Jef Stott.
Vocalist MC RAI and producer Jef Stott will bring the sound of the Magreb to the Bay Area for a weekend of shows August 5th, 6th and 7th. MC Rai’s brand new CD “RAIVOLUTION” will be available at all shows!

Friday August 5th Red Poppy Art House
2698 Folsom St
San Francisco
9-11pm
$10
An evening of traditional and comtemporary music from the Northern Saharah and the Mediteranean. The performance will be a fusion of Rai music, dj culture and sufi rhythms of the desert. The Red Poppy art house will be transformed into a verdant oasis of sound as the chill beats and hypnotic music fill the night air. Featuring Suzie Goldenstein on percussion.
Contact todd@redpoppy.org for info

Saturday August 6th
Van Kleefs in Oakland
Too Hip to Handle: Belly Dance Shakes Cafe Van Kleef
Cafe Van Kleef
1621 Telegraph Ave @ 17th in Oakland
Saturday, August 6th @ 8:30 pm
Cover Charge: $9
Belly dance isn’t just for restaurants anymore. Kristina is returning to Oakland’s hippest jazz bar, Cafe Van Kleef, with music by producer Jef Stott on oud and laptop, Scott Sterling on dumbek drum, and vocals from Tunisian singer MC Rai. Their marriage of classic Middle Eastern music and dance with modern sound and movement appeals to venues and audiences not normally drawn to belly dance.

Too Hip to Handle in Wine Country: Belly Dance Goes North
Schellville Grill
22900 Broadway in Sonoma
Sunday, August 8 @ 4pm
Escape from the city for a fine afternoon of fine wine, delicious food, and dance and music from the hottest in Borderless Music from the same talented folks who brought belly dance to Caf? Van Kleef. Kristina, Jef, Scott, MC Rai, and company will be performing their much-lauded set of energetic, original modern Middle Eastern world music for the Sunday afternoon patrons of this extremely popular North Bay hangout. Come enjoy the sun and party wine country style.
For directions and reservations call 510-366-4144.
For more info go to www.thenekyia.org/

Oregon Country Fair Note Excerpts

These excerpts are from a letter/journal I kept on the recent Oregon trip. I wrote this letter for my best friends Todd and Mark

I’ve been waiting for this trip for months now. Haven’t been on the road outside of the Bay Area for a long while. Rent was too high, I was too poor, and my life fell apart. But you and Mark know best what that urge to move feels like. Headed to a festival makes this trip even more enjoyable. Getting there via a veggie-fueled bus and performing acts just like icing. Guess I don’t have to mention mountains, clean air, and trees…. Dunsmuir, CA

RoadView01

Jonathan and the universe gave me a gift a few hours ago. A buttefly hit the windshield back down on Grant’s Pass. [While taking a break at a rest stop, I wanted] to take the butterfly wings off of the windshield to put on my altar. About to pluck its wings, I saw that it was alive! It’s abdomen was smushed pretty bad. I peeled it off and put it on a piece of moss I had just picked up. It wasn’t flapping its wings, so I knew that its life i this reality was over. But it refused to die, twitching legs for most of our stopover. It eventually died, but I couldn’t bare to take its wings.

So the universe gave me a gift: beauty dieing. Nature’s infinite circle of renewal. Once again, death came to me in a pure form, and allowed me to test the waters of grief. The death of the butterfly sent a direct metaphor to my center of being. Quines Creek, OR

Butterfly

Magic does happen in the world. We drove into the Oregon Country Fair (OCF) with no nighttime/employee wristbands and no parking stickers. 24 hours later, we had 5 wristbands, one extra and two of them gifted to us for free, and two parking passes. I feel that the OCF is a special place for me to be at the right moment.

Walking through the OCF is like being in a faire land theme park. Booths, gates, and artwork line trails and fill meadows. Raw lumber and branches hide alot of the architecture and gates blend in to the forest. This lifestyle is vibrant, creative, and all-ages. The OCF celebrates its elders and many families are present. Day one of the OCF

OCF

Tired tonight after ding six shows today and staying up most of the night last night. I spent most of the night in a solemn mood. At one point an Iranian musician showed up to the place where I was hanging out at and began to drum and sing traditional Middle Eastern music. I began to think about the tribe of Ishmael and the wandering lifestyle of the Roma. My inner fears began to open up, and I realized that I was a bastard who had never seen my mother. I am the landless people, I thought, the child of Abraham cast out into the dessert. My current life changes had even made me tribless. I felt like the lonely wandering monk once again.

I left the sweet music and walked into the craziness of the Saturday night fair. At one point, I came across a tree that had an altar under it. Someone was randomly kneeling in front of it. The tree seemed out-of-time; it had a strange quality to it that nothing else had. I knew the night was over when I walked up to a jug band that had an inbred violin player. Bald, cross-eyed, and drooling, he played his violin held out in front of him. The washboard player was staggering drunk, and the guitar player wasn’t too far behind him. Sunday, July 11

After a week of magic, tests, and travel, the veggie bus crew points its compass south. After a lazy morning on some property (Pica Flores) near a creek by the McKenzie River, we spent most of the day looking for veggie oil and processing it for the drive home. Travel goes slow when you run on veg, and I enjoyed every bit of the work that goes into being a fuel bootlegger.

VeggieLegging

Two nights ago, at Pica Flores, we had a group dinner. The matriarch of the property asked for everyone to introduce themselves. I said something like this: “Hi, I’m Russell. Last weekend was my first Country Fair. This whole trip has been filled with miracles and the fair lived up to its myth from when I lived on the East Coast. I’ve met nothing but kind souls with big hearts, so am humbled by all of your good deeds. I’m currently going through a shadowy life change, and am currently tribeless, so this trip brought much needed medicine into my center of being. I thank you all.” Thursday, July 13

RoadView02

createGrandmother’s Flies

One Tuesday, when nothing spectacular happened, Spider heard his belly grumble. Having just eaten, he had forgotten that he was still hungry, so his stomach churned noise like a whitewater rapid to remind him. For those of you that don’t know much about Spider, his empty gut always led him into wiseacring times, weaving webs of trouble that made tangled messes.

So Spider left his webbed-up raspberry bush home and set out to find food. After some time, he came up on a river and saw Bear’s den.

“Hello Auntie Bear,” Spider bellowed into the cave. “You up for a visit?”

There was no answer, so Spider crept into the den. Over in a corner, neatly stowed, sat Bear’s winter preserves. Being good with her resources, Bear had taken the Salmon she needed, eaten what filled her up, and kept some for her long nap.

“Well, well. Nothing like a bit of dried fish to quiet my tummy,” Spider mused. “I’ll just eat the first row so Bear won’t notice that any are missing.”

He ate the first row, and his stomach kept screaming. So he at all the Salmon and waddled out of the cave to go home. When Bear returned, she roared with anger that someone was stupid enough to take her winter rations. Her cries were so loud, the nearby mountains split open and created a valley; her tears so many, they made lakes and rivers.

Meanwhile, Spider’s belly hurt with hunger again. “Hello, Mr. Tummy,” he joked, “I hear you arguing and don’t know what to say. What? Eat more you’re yelling at me? Why, sure I’ll help us out!”

Instead of going home, he took a left at the Timeless Oak Tree and headed to Grandmother’s house. Grandmother, older than the rocks that lined the oldest river, always had food to eat, tales to spin, and lessons to teach. Wise in many ways not known by regular folks, Grandmother actually knew that Spider’s stomach headed her way.

“Oh, oh,” Spider said. “I can smell Grandmother’s home cooking already. Mmm, collard greens, black-eyed peas, and corn from her garden! (slurp) Apples from her orchard and berries from her bushes!” Spider jumped in excitement, squirted some web for good measure, and doubled his time to eat sooner than later.

Nestled in the burned-out hollow of Dan the Old Redwood, Grandmother’s house stood. Grandmother looked out one of the small half-circle windows and saw Spider walk into a nearby meadow. His stomach grumbles echoed across the ridge, and he hastily crawled up to her door.

(knock, knock)

“Grandmother, so gentle and kind-hearted,” purred Spider in his most polite voice. “So giving with your big heart and abundant garden.”

“Hello, Spider,” she said flatly. “Nice day for a little mischief, isn’t it?”

“Oh, no honorable madam,” he lied. “I was just in the nearby meadow, and saw a dead tree that would make good kindling for your hearth.”

“Firewood, huh? Are you offering to haul a few loads to my wood pile?” Grandmother said, playing along.

“Why, of course. I’m a bit hungry right now, but wouldn’t mind the chore if you fed me first.”

“That’s a fair trade. Here’s a carrot for now. Eat this and bring me back some more veggies from my garden that I can cook up for you.”

“Oh, boy!” Spider exclaimed (crunch) “Carrot and veggies, all for me.”

As you may already know, that dead tree never turned into firewood. Once Spider ate that juicy, orange carrot, he forgot about his offer to trade. Instead, he ate all the veggies from Grandmother’s garden, all the apples from her orchard, and all the berries from her bushes. With his stomach about to burst, and his greedy appetite temporarily gone, Spider realized that he’d eaten ALL of Grandmother’s food.

“Um, I need to figure a way out of this mess,” he told his aching belly. Shooting his web, he climbed up into a secluded tree and tried to think. Then his aching belly began to hurt a little more. As the pain grew stronger, Spider had a harder time thinking up a good way to not get into trouble. The pain got so bad, he slid down the tree and staggered home.

His vision blurred and his stomach heaved. Spider could only make it to the dead tree in the meadow. There, he spun a bed and rolled into a ball of pain. So, on any other day like that particular boring Tuesday, when you’re hauling wood to your own pile, check for Spider before you pick up a piece. His stomach ache will make him bite!

What about Grandmother’s garden? Well, that carrot came from a nearby garden that had been infested with nasty No See Um flies. They’d laid eggs in all the veggies, so Grandmother hoped to make a cure to save her neighbor’s garden. She thought Spider wouldn’t mind being in a little experiment of hers. In his greedy state, Spider blindly ate the sick carrot and didn’t notice the flies. As for the rest of her garden, Spider didn’t notice that Grandmother had other sections. So, being wise as the ancient sun and resourceful as the rain and clouds, Grandmother had plenty of food to feed all her friends and family. As long as you helped out around her farm, Grandmother gladly filled your pail with yummy produce.

Eugene, OR (7/12/05)

createCall for Cranky (Movable Mural Storytelling) Performance Art

Got a cranky (a rolled-up mural in a frame that moves when hand-cranked)? Do you have a story you’d like tell with a cranky and would like to make one?

Cranky art uses ancient scroll technology, with a TV-like interface, to tell stories that are typically politically-themed. We think that the artform came out of the 1960s peace movement, and the art form was recently performed by the San Francisco Mime Troupe, SF Art & Revolution, and the Big Tadoo Puppet Crew. A cranky is easy to make, and better than watching cable TV. But the art form is underutilized and not widely known.

A small group of artists would like to have a Cranky Fest that would help share this niche art form. We are putting our feelers out to other artists who have a canky story to tell or would like to make one for a night of performance.

We are in the early stages of booking this event at the CounterPULSE space. The date is TBD, but will most likely happen in the month of November.

If we get enough interest in performers who wish to tell a story with a cranky, and can work out a 2 hour show with the content, then we’ll have an event!

No experience necessary, but we also do not have any budget to help you build a cranky. We would like to offer a workshop to show ours, and give you ideas on how to build one.

Any type of performance is OK as long as you use a cranky in it somehow. Times should run about 10-20 minutes for your part.

We also hope to have a “Make Your Own Cranky” workshop at the time of the event. This will entail making simple shoebox crankies for the folks who come to the workshop, with maybe a performance or two during the main show’s intermission.

Please get back to me ASAP so I can get an idea of the show for the CounterPULSE events bookers.

If you want to commit to this event, please do not flake out in the process. We want solid artists who’d like to make this unique night fun, collaborative, and informative.

Please help us start the Neo-cranky revolution!

Contact: happyfeet[insert @]happyfeettravels.org

puppetsBarbara Bovine on StreetLevel TV

Episode 15 of StreetLevel TV
Sunday, July 3rd at 8pm
ATA
992 Valencia St at 21st Street
5 bucks

Your favorite locally produced television show is back with a ton of great coverage you won’t find anywhere else.

This month of SLTV:
*Barbara Bovine catches up with Ward Churchill at the annual Anarchist Bookfair in San Francisco. (Camera Ops by RussellH)

with other segments by the non-foam, non-hand operated, human activist reporters

For more information on StreetLevel TV (including air times), check out:
http://www.streetleveltv.org
or email: mail@streetleveltv.org

createWindow Washer Man

Can I wash your window for a dollar?

Hey Mr. Windshield Washer Man
waiting by the gas pump
hoping that murder of black birds
will drop you a black feather

Looking for magic
on the cracks in the sidewalk
in Victorian nooks and pee corners
stuck under random bar tables

Special moments crop up
(like that special item you find
in a sidewalk free box)
to turn into gifts of sunshine

Sunny Mission wash muraled over
caught at a certain angle
opening rainbows into one-kind cultura
we sing similar beats

Our hearts pump the same clave
while hands meet tomorrow
on many levels of bounty

welcomed in the quiet spaces of now

poloticsBurn ’em if You Got ’em

The U.S. House of Representatives passed a bill today (by a vote of 286 to 130) calling for a constitutional amendment banning the desecration of the American flag. The Republican-controlled Senate will vote on this bill next, making the measure a sure shot for becoming part of our Constitution. After four previous attempts since 1989 failed to reach the two-thirds majority in that wing, Neoconservative proponents of this amendment are peeing their pants in potential joy of protecting this “great American” symbol.

The amendment begs the question as to what exactly will be protected. Below are a few personal examples of where this amendment will be useless:

Five years ago at Burning Man, a random burner handed me a “Personal Flag Burning Kit.” It was a tiny USA flag on a tooth pick, taped to a cheap lighter. The flag was positioned over the flame, and the potential to spontaneously express myself was to large to hold back. I instantly burned the tiny flag and enjoyed every second.

About three years ago, I spent the Fourth of July at California’s only clothing-optional state park. Appropriately named the Red, White, and Blue beach, I enjoyed nude vollyball, sunbathing, and just plain hanging out (pardon the pun). On the Fourth, there was a camp bar-b-q, so I showed up clothed and had a burger and beer with all the folks there. There were all classes of Americans at this meal, singing bad karakoke, and enjoying themselves.

A woman walked up to the picnic area, wearing nothing except the American flag that was painted on her body. In glorious Fourth of July fashion, this woman had a painted-on one piece bathing suit of Old Glory. Yep, the stripes went all the way down to her nicely shaved crotch.

Being a patriotic American, ahem, these two examples of “waving the flag” are completely protected under the Constitution’s freedoms of expression. We know that Bush and Co. could care less about that amazing amendment, and are way more focused on curtailing all the flag slumming that goes on in the USA. I guess they need to pass something through Congress since they’re stuck on all fronts with judicial appointments, UN delegate appointments, Social Security reform, and… Iraq.

The flag of the United States is just a piece of cloth to me. When I hear people say that a soldier died for “flag and country,” I bite my lower lip and think of all those “losers” in this world who see that flag soaked in the blood of dead civilians. Peoples around the world, possessing something that the US government and corporations want badly (oil comes to mind, as does land) don’t see our flag as this glorious thing.

Here’s another flag story: In the 1800s, as the US headed west and killed the natives into submission, a tribal cheif made a pact with the “white grandfather” in Washington, DC. He agreed that his tribe would submit to peace with the blue-uniformed hordes that killed his people. He signed an agreement with the President himself, stating that he was pro-USA, and accepted all their demands. The US relocated his tribe, and they lived there for a while.

While the chief was in DC to sign the agreement, he was given a US flag as a sign of trust and friendship. For months, the chief proudly flew this gift outside his own teepee, and there was peace among his people. But the thirst and greed for the land that they had legally been moved to was too much for the US settlers and their sympathetic goverment.

So the US Army swooped in and began to massacre this chief’s peoples. They killed men, women, children; old and young. As his people died around him, the chief took down the US flag that the President had given him, and waved it as a sign of being a true American.

And he died with that flag in his hand. Just sewn pieces of white, blue, and red cloth; covered in blood of a man who thought it was a symbol of peace with the white man.

So if that amendment passes, I’ll be the first to buy a flag to proudly burn in public. The less logos and symbols in this world, the better. Besides, this white American owes that long-dead Indian chief.

puppetsBalinese Shadow Theatre Performance and Workshop

With I Nyoman Sumandhi
This Saturday, June 18th, 6-10pm

At SOMARTS in San Francisco (934 Brannan Street: www.somarts.org)

This is a very unique opportunity to work with dalang I Nyoman Sumandhi who is a master of traditional Balinese music, dance, and choreography, as well as the repertoire and theatrical techniques associated with the wayang kulit or shadow puppet theater, which is regarded as the pinnacle of the arts in Bali.

Sumandhi will perform the shadow play “Arjuna Wiwaha”. He will also break down the story scene-by-scene to reveal how the characters, music and the themes of the story are interwoven. Sumandhi will also be giving an overview of wayang kulit.

Anyone who is interested is invited to participate in this workshop. The workshop is FREE, but DONATIONS are appreciated! To learn more about Sumandhi’s extensive teaching and performance experience please visit:

http://www.centerforworldmusic.org/sumandhi-cv.html

For any questions please contact us ShadowLight

ShadowLight Productions
22 Chattanooga Street
San Francisco, CA 94114

office: (415) 648-4461
fax: (415) 641-9734
info@shadowlight.com

See our new website at www.shadowlight.org

puppetsLovesick Sea Play Shadow Theater

Hereby announcing the imminent public display of “Lovesick Sea Play,” a little theater piece by yer dear Janaki Ranpura. Further spit and shine shall be duly applied to the shows at The Dark Room.

LOVESICK SEA PLAY

Highly Original Shadow Theater

June 23, 24 at 8PM

June 26 at 3PM (bring yer kiddies and other small friends)

$10

The Dark Room, 2263 Mission between 18th& 19th

It’s fit you should know how Bill the Pyrate was chas’d crost the High seas by the crafty spinster Sue, how She gaoled him in the narrow bedchamber of her Heart & loosed on him the mad Aloneness of her Sex.

Performed as part of J-JTrinket’s Double-Jointed Festival Series.

Notes on Gentrification 2005

A local playwright, and coworker at Teatro Zinzanni, just found out that his landlord is offering his roommate, the lease holder, $10,000 to vacate their rent-controlled Noe Valley apartment (rent at 1992 level).

Recent graffiti on a live/work loft going up on Harrison St.: “This is what corporate gentrification looks like.”

Save the Last SF Quonset Hut

For those of you who don’t already know, the owners of my space have filed an application for demolition & building of condos. This is the quonset hut at 20th & Shotwell in the Mission. It’s the building that looks like an airplane hanger with a red symbol on the front (representing longevity), formerly a yoga studio, affectionately known as The Tin Can and The Silver Twinkie. In brief, the building was constructed in 1946 for military family housing after the war. Over the years it’s been artist live/work, and is now one of few true artist live/work spaces in the city. It is also the last functional quonset hut in the city.

Here’s a pic to check (almost all the way on the bottom, 3350-3352 20th street). Here is another one (towards the bottom Best Relic of Prefabricated Housing Gone By).

MEDA, Mission Economic Development Association has filed a Discretionary Review to the demolition application. I met with MEDA this morning and it seems we have a good case to save the building and maintain it as artist live/work. In my few short months here, many people have told me stories of their experiences in this space, whether it be a yoga class or a party 20 years ago.

THIS is what I’m asking for right now:

MEDA needs your stories, your experiences, your feelings about the space. Time is important in this endeavor. Meetings will be occurring within the next month, with the review hearing tentatively scheduled for the first week of July. Please send this email to as many people & organizations as you can as soon as possible. And please try to send in the stories as soon as possible. They can be sent as in line text or word attachment to Nick Pagoulatos (MEDA) at npagoulatos@medasf.org

THANK YOU!!!!!

next step: if you have any assistance to give in fundraising, donations, outreach, subletting with good credit (so I can afford to stay in the space to fight this), or even interest in establishing a community land trust in order to secure the use of the space for the future… please feel free to contact me at m@mirandacaroligne.com

thank you so much for your time and energy!
:)miranda