Tag: Creations

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MAD Zeppelin: The Assembly Continues

Bob Clarke’s 1965 MAD Zeppelin: The Assembly Continues

Here are the complete assembly instructions: Part 1, Part 2, Part 3.

Putting the Ship Together (Figures 4-7)

FIGURE 4: ATTACH DECK UNIT
Looking at the Deck and Hull Units, one can easily see that the outer edges of each part are mostly tabs and slots. Clarke chose not to include an illustrative figure to show these two parts connecting. We will never know why he thought the super-easy Figure 3 needed to be illustrated when I had major struggles putting the Deck Unit into and on the assembled Hull.

I think one difficulty for me was the fact that I made the color copies of the MAD Zeppelin with basic 20lb copy paper. TIP: At this point, I realized that I should have used a heavier stock of paper that was similar in weight to the paper stock of the original insert.

My copy Zeppelin felt very fragile at this stage of assembly, and it got more delicate and precarious for the final bits of assembly. TIP: I had to make the cuts on the tabs (Tabs P and Q) of the Hull and Deck deeper in order to make these pieces insert in a way that didn’t keep the deck from popping up and out. TIP: As you can see from my photos, I put small pieces of tape over the middle connections of these two parts. They kept popping out as I tried to work the end tabs. Not pretty, but it keeps things together.

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MAD Zeppelin: The Assembly Begins

Bob Clarke’s MAD Zeppelin: The Assembly Begins

Here are the complete assembly instructions: Part 1, Part 2, Part 3.

Putting the Balloon and Hull Units Together (Figures 1-3)

INTRO
When the 1965 Worst From MAD No. 8 copy arrived in the mail, I went over to the copier machine at work to make copies of Bob Clark’s MAD Zeppelin insert. I didn’t put much thought into how to make copies. Fortunately, Clarke made all the parts one-sided with perforations that could be folded over to make a second side. I quickly realized that I would have to push the spine of the MAD down a bit to get the parts closest to the gutter to lie flat for the copy.

Yikes! This pushing caused some of the die-cut parts to partially come unattached. There goes a possible grade-reducing defect. Even with moderate pushing, the color copies had a perspective”smear” near the gutter at the magazine’s spine. This can easily be seen in the photo showing most of the Zeppelin’s Balloon Unit (Clarke chose to capitalize the word Zeppelin and its smaller parts throughout his instructions). Look at both parts labelled Tab A and you can see the difference.

I wondered if this would cause the MAD Zeppelin assembly to be a bit off. Since the Balloon was Figure 1 of Clarke’s instructions, I hoped it wouldn’t come out too bad. As we shall see, another part caused the biggest headache, and it wasn’t smeared in the gutter.

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Prelude to a MAD Zeppelin [u]

Prelude to a MAD Zeppelin
I assembled Bob Clarke’s 1965 MAD Zeppelin (so you don’t have to).

Here are the complete assembly instructions: Part 1, Part 2, Part 3.

Thus brewed a perfect storm for a geek collector. First, I went online to see if anyone had posted scans of the parts. I also searched for modern photographs of Clarke’s Zeppelin totally strung and assembled. I couldn’t find anything online, but did discover a world of paper object and model making. Cool, but, wow, the Internet had zero MAD Zeppelin images or how-tos. Guess that means I’m buying an expensive intact copy of the ’65 Worst From special and making color copies.

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Flashback: the 2004-era HappyFt

Ooooh…. 2004. Blogs were exploding. Flash drives were a rarity. Bush’s wars drug on. And good ole’ Happy Feet was on the webstreams. With the recent backing up and rooting around the site, I realized that I still keep a copy of the old version of this site (I call it 2.0) up and running. That’s Jacqueie Ben-Eliezer in the masthead (RIP), Frank “12 Galaxies” Chu with the sign, and Mr. Leon Rosen looking all mean with the sticky note (that says “Leon has a posse”). There’s also my fun “@bomb” favicon, the secret <3 (did emoticons exist in ’04?) link on the masthead, and links to all the other pages I had running at the time. Once blog tech got easy to install and use, I basically took the same themes and used them as categories on this version (WP v3.0). Guess this is my #TBT post a day late….

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Halloween with Mr. Nobody

The Spookeasy Website is UP!

Mr. Nobody's Spookeasy, Halloween 2014!
Mr. Nobody’s Spookeasy, Halloween 2014!

Just a teaser for now: Over the past few years I’ve been working with Scott Levkoff making very fun adult-themed puppetry events. This is only a sliver of the fantastic vision that Scott has for interactive play, but I have been a minion for his swamp-god Mr. Nobody (black light puppetry… a dream fulfilled at last!), Mr. Nobody himself (and VERY hungry), as well as animated black-light objects, and part of an “animatronic” puppet fortune-telling bit. It’s always a pleasure to work with Scott, so always hard to say no to his invitations.

Coming up, I will be animating objects/puppets for Scott at :::: The first-ever San Francisco Spookeasy Halloween Extravaganza is a new, daring, bold and sophisticated multi-evening experiential destination party that will transform Chinatown’s Great Star Theatre into a scintillating circus-like, madcap seance soiree beckoning back to life ghosts, spirits, and specters from the raucous and rollicking red hot era of 1930’s Burlesque and Barbary Coast Vaudeville in a decadently opulent Max Fleischer-esque “ToonTown” parallel universe’s haunted Prohibition-era Speakeasy.

Sounds fun, right?! More details and pics coming in the following weeks….

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23 March: UnEarth-things w. Chris Benfield

Sat., March 23, come on out to Kezar Triangle (in Golden Gate Park) while Chris Benfield and I (aka Lay it on Thick) play with dirt. Gopher dirt!

4pm to 8pm

Where is Kezar Triangle? Just down from the Circus Center: http://goo.gl/maps/cN3Un

Sponsored in part by the Friends of Kezar Triangle

kezar-poster_wip

UnEarth-things uses gopher diggings (the loose piles of soil left from gopher town tunneling) to make iconic, recognizable images that resonate with the history of Kezar Triange, what it is now, and what it may become. The basic concept is to work with what the gophers give us, using a “connect the dots” approach with their upward offerings. Like a sketch book, the images’s positioning, size, and motifs are brought about organically, creating a nurturing, nourishing interspecies collaboration.