Decades, and Thousands of Words, with Stephen King

Today is Stephen King’s 79th birthday. Many words have been written about the man and his words and stories, but his “holy cow!” birthday post on social media got me thinking about all the hours I have spent inside his imagination. I read King’s works heavily from around 1984 to 1991, then just bought his “Dark Tower” books until 2004. I only started reading his new books, and rereading some classics, when the COVID pandemic hit in 2022. I am by no means a completist like I used to be, but I have probably read tens of thousands of King’s words; more than any other author.

Out of my former collection, this movie theater mobile with a photo of a maniacal Stephen King, controlling a bomb of a movie, is one of my favorites. This was filmed in Wilmington, NC, and I wandered around with my parents looking for locations to photograph in 1986. It was a fun day trip during a high school-era summer vacation.

I’ve been thinking about the kernels of my love for genres King swims in: horror, fantasy, sci-fi. There were not many books in my house growing up, let alone horror and sci-fi fiction. My life was already layered with real and imagined horrors since my dad ran a funeral home and drove an ambulance in the pre-EMS 1970s rural south. I heard about the wrecks, shootings, feuds, violence, and gore at a young age. I knew about death and grief and loss as well, and it was at times difficult for my developing brain to understand what was going on emotionally and physically. This gave me a bit of wisdom about my surroundings, but also a tough skin to deal with it. Back then, I also enjoyed scaring myself. It was easy to imagine witches in shadows, trap doors at the stairs, and giant spiders in carports.

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The CELLspace now on FoundSF

Even a sliver of a photo can easily identify CELLspace’s Main Space entrance.

The unit also had a tiny window in their bathroom that looked out into the screen-printing shop. In the quieter moments, they would gaze out the bathroom window and watch the T-shirts dry. They would imagine a better world. A world with art. A world with community. One morning, the window showed the business moving out down in the warehouse. – From the CELLspace FoundSF page.

Last August, Chris Carlsson asked me to write something about the CELLspace “Blurb,” a short-lived tabloid newspaper brochure that I helped Jonathan Youtt make in the height of the Dot Com boom. Chris sent me the pdfs of the scan he had made for the FoundSF project, and I struggled to remember as much as I could about the “Blurb”. I even managed to create a draft, but never liked it and didn’t have much to say about this paper version of the cell website.

Once the Shelter In Place order hit for the COVID-19 pandemic, Chris started working on his FoundSF backlog, which included my shelved draft for the CELLspace project. He got back in touch with me, this time letting me know that CELLspace didn’t even have a proper page. With Chris being more active regarding what he needed, I spent about six weeks helping him grab photos, videos, and text for CELLspace’s FoundSF page.

Jonathan Youtt helped flesh out details, especially the end of the history, and source photos and videos. Skot Kuiper gave me advice on which episodes of cell.tv to link up there. I also incorporated text from Devin Holt’s 2013 “Obituary for CELLspace“, appreciating his doing work then for what I was trying to remember now. I’m glad I got to talk briefly about this page with one of the co-founders and three caretakers of the cell. And I even worked in a paragraph about the “Blurb”!

Any mistakes or omissions in the FoundSF post are my own. Any corrections can be sent to me via reply or DM. Chris always appreciates other voices and recollections, so here’s to this version of the new page.

Wrote an Essay for Upcoming Blek le Rat book

Blek le Rat, the “godfather” of stencil graffiti commemorates 30 years creating art on the streets with the launch of new retrospective from Art Publishing, Ltd.

http://www.artpublishingltd.com/new/

http://www.artpublishingltd.com/bleklerat.html

This retrospective features the artist’s private family photos, point and shoot images of his graffiti artwork from around the world, and full-color reproductions of his gallery pieces. The book is separated into two distinct sections: “Street Art” and “Fine Art,” both of which are augmented by the writing of celebrated scholars, critics, experts in relevant fields, fellow artists, journalists, collectors and gallerists. Lavishly illustrated with more than 200 images, “Blek le Rat,” the 30 year anniversary retrospective offers the first full history of this seminal artist’s tradition and legacy, featuring:
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