Hands in mud

I feel the realness of an earth unfolding

Steam rises into bright white sky

And sweat beads and drips down my back –

off my nose.

The hands stuck, sinking

Getting closer to the moist dust of the universe

The muck of the mess we’ve left behind.

But, with eyes closed,

I can only see your caring face.

Shin deep you pull me up

and out of soggy life’s bottom

Hands freed, I hold you

touching neck and waist

beads of steam reflect off your wild hair

wind blows away and away and away

And together with wishes

Hoping for an end of the epoch of mud

the clouds float over uncaring.

There may be rain at some point,

smiling. stained. breathing.

I saw four slices of meat pizza in the crosswalk

And wondered where the rats,

the ones with antenna in their ears,

I wondered where the rats were.

Then walk on down to Pepe’s Opera,

mesmerized by the burning idols,

and I jumped through the fire –

Jumped through the wall of fire.

And then stood on the counter

staring at the orphaned mountain,

burning light night sky,

flames dancing through trees.

Motions past and touches present

Hand firmly on your hip

feeling the dreams

of gas cans and siphon hoses.

Tasting bitterness and heat,

remembering your hair,

touching my cheek,

and I touched your hair.

Thinking again of slices

shifting in where rats take calls

and only finding rattled bones

once overgrown by kudzu.

An Obituary for CELLspace

Written by Devin Holt (I pitched in with info, editing, and whatnot)

CELLspace, community arts center, closed its doors at the end of 2012.

During the late 90s and early aughts, there was no better place to see the Mission District’s artistic, multicultural vibe than CELLspace. San Francisco prankster Chicken John was known to decorate the 10,000 square foot warehouse as a Las Vegas casino; the Flaming Lotus Girls created their first large scale fire installations in the CELLspace Metal Shop, and during Carnaval, the space would burst at the seams from the ritual drumming, colorful rattling costumes and sheer number of teenagers involved in groups like Loco Bloco and Danza Azteca.

Michael Sturtz was so impressed by CELLspace that he named his industrial arts school, The Crucible, after their art gallery.

“The name was inspired by the Crucible Steel Gallery, which was the CELLspace gallery at the time,” he said. Continue reading “An Obituary for CELLspace”

Old Bid-ness… Stencils and Friends

In the Facebook worlds, posting all this stuff is instant, and friends find things and post them. I take the trouble to pull things off of there for the Stencil Archive, my own archives, etc. and then maybe, just maybe, post it on here. I forget that some friends don’t do Facebook! And I have to remind myself that this blog belongs to me, as opposed to a multi-billion dollar corporation that is currently dot com booming the Bay Area. This site is also a great, long archive of my life here in San Francisco.

So back in late January, Regan Ha-Ha Tamanui stopped over on his way back to New Zealand and Australia. He’d been traveling the world for a year, but got stuck in Berlin for eight months. How unlucky. I got him four walls here in SF, and he took my photo after a day of wandering around the Tenderloin looking at street art. He cut a stencil portrait out of that photo, as well as the photo he took of my friend Monica that evening in Hayes Valley.

Icy and Sot, expats from Iran who now live in Brooklyn (leave Iran to have a street art show, go back to Iran and get arrested for satanism) were driving through. They all took my tour and I got them two walls to paint on. Regan collaborated with them. Icy and Sot came back to SF for an art show at a Noise Pop concert. I missed it (always seem to miss the good art shows!).

Here are photos from early Feb, with the stencil portraits thrown in.

Stupid, Again

Spring time. Cherry blossoms. Nuns in drag. Giants baseball. And St. Stupids Day.

April 1 is always a day to look forward to. Yelling “Jump! Jump! Jump!” up to workers gawking out their windows is worth the bus fare down to join the First Church of the Last Laugh at Justin Herman Plaza. While infill condos continue to rake the skyline across the city (i.e., Dot Com 2.0), some things thankfully never change. Here’s a snap of me at the XXXV St. Stupid’s Day Parade (by Hanna Quevedo for the SFWeekly).

While I’m posting photos, here’s a portrait of me that Garry Bowden took for his Souls of San Francisco project