Archive for 2009

Before the vivid memory kicked in, I was shifting through random worlds, going in and out of unfamiliar places. I end up at this house in the country, and walk outside. I see E. leaning on a gravestone, and walk over to see what you are up to. The gravestone falls over, revealing a tunnel that goes under the green grass and into the ground. We decide to crawl into the tunnel, and wind our way to a larger area that is bathed in light. On the left of us is a white wall with opaque windows, allowing the light to come into the tunnel. Past that wall, we find a door, and open it.

We walk into the large room, which looks like an indoor greenhouse, complete with skylights and well maintained gardens. We walk through the garden towards another door and open it. It leads us into an exquisite apartment with commanding views of a Germanic downtown (more like Salzburg than Wien). The apartment is immaculate, with sparse, modern decor. We snoop around and end up laying on a large couch or bed. At this part of the dream, subliminal erotic images flash, taking me away from the current “moment” in the apartment.

Back on the couch, I am ready to go back to the other world. The place is empty, and nice, so E. decides to stay. I exit the way we came in, and once I go past the white-lit walls in the tunnel, I look over my shoulder. Another portal has opened just under the window, and a well-dressed middle-aged woman appears. She doesn’t notice me and, after straightening her suit, heads into the garden room. “I hope E. won’t get into too much trouble,” I say. Crawling back out of the grave in the other world, I realize that that apartment belonged to the dead man who was under the felled gravestone.

Fascism in SF

Author: Russell

(thanks to Laura for this pic from Dachau, Germany)

A month or so ago, I photographed a new stencil in Clarion Alley, the funky painted street by Community Thrift on Valencia St. I wasn’t sure at first if I was going to post the image to Stencil Archive, because for the first time in San Francisco, I had captured a White Supremest logo as negative space. Huh? The “New Right”? Why the hell are they tagging a right wing stencil in Clarion Alley? [I posted the stencil, because people need to know what their icons are and deface them whenever they can.]

Before the Clarion Alley block party, a friend buffed the stencils. I don’t blame him, especially since Clarion Alley is a lefty, Anarcho-Radical zone, with murals that make hate-free political statements as well as critique capitalist society. Before the Block Party, I got word that the SFPD were going to crack down on open alcohol containers during the event. I stopped by the alley early to look for stencils and double check that rumor. Sure enough, a volunteer was making a sign telling people to behave that day. (The SFPD harassed participants by riding motorcycles through the party and did issue open container citations.)

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Cultural Encounters: Friday Nights at the de Young presents Street Art San Francisco: Mission Muralismo, in partnership with Precita Eyes Muralists

5:30 PM - 8:45 PM
November 6, 2009

The HEART of the Mission, a Celebration of Art and Community, including many of the artists, photographers, and writers featured in Street Art San Francisco: Mission Muralismo; live music by Dr. Loco’s Rockin’ Jalapeno Band; poetry and performances by Lorna Dee Cervantes, Stephen Cervantes, Francisco X, Lori B (Bloustein) and Andrew Voight; talks by the book’s editor, Annice Jacoby, artist and writer Jaime Cortez; projections of thousands of archival and current Mission murals, including a ten-year span of the deAppropriation wall; art activities for people of all ages and MORE! Free for All.

The de Young Museum hosts a year-long series celebrating the just released Street Art San Francisco: Mission Muralismo (Abrams, 2009), edited by Annice Jacoby, with a foreword by Carlos Santana, as part of the museum’s weekly program Cultural Encounters: Friday Nights at the de Young.
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Yes Men Fix Chevron Video

Author: Russell

Here’s a great video of an action that I helped organize on Sunday, starring some odd characters (go here for more pics and links and fun)….

The YES MEN and GLOBAL EXCHANGE

present a Special Screening of

The Yes Men Fix the World

on its San Francisco debut weekend with Yes Man, Andy Bichlbaum & Global Exchange’s Chevron Program Director, Antonia Juhasz

November 1, 2009
5pm
The Roxie Theater
3117 16th Street, SF

Question and Answer Discussion following the film with Andy Bichlbaum and Antonia Juhasz

Protest Chevron with The Yes Men!
6:45pm

After the Q & A, Andy Bichlbaum will lead the entire theater of moviegoers to the Chevron station at Market and Castro for a colorful, ruckus, creative, protest of the kind only the Yes Men can offer!

Even if you can’t join us for the film, show up afterwards to take on Chevron Yes Men/Global Exchange style! We hope to see you there!!

Free Culture Lives!

Author: Russell

Sunday at the West Fest, a free concert in Golden Gate Park, I threw a new line in my carny spiel: “Just like the SF Diggers gave it all away in the Summer of Love, our games are free. There ain’t no line, and it don’t cost a dime!” The SF Diggers have inspired me many times over with their mad, creative urge to make the word “free” the real deal. They gave food away to the wayward runaways that flocked to Upper Haight, inspiring the Food Not Bombs campaigns. They hustled landlords to get living space and then crammed in as many homeless teens as possible to get them off the streets, and the Huckleberry Youth Programs is a reminder of their work. The SF Diggers threw free concerts in the Panhandle, the West Fest was a quasi-unsponsored (they did have logos all over things) example of that legacy. Finally, the SF Diggers created free stores, where money wasn’t considered. The Really Really Free Markets and Clothing Swaps stand as 21st Century Examples of this idea.

The SF Diggers, for good or bad, were tied to the San Francisco Mime Troupe. On top of all that free culture listed above, there were also many puppet performances, spontaneous art happenings, and wild, tripped out parties. The Mime Troupe gave their shows away for free in parks across the City, and they had to fight for that right, inspiring the SF Diggers (and bringing on the hilarious arrest of some of their giant puppets). On the East Coast, Peter Schumann’s Bread and Puppet Theater also began to throw free performances in New York, Vermont, and beyond. And Luis Valdez and El Teatro Campesino also began free, radical performance from a Mexi-Cali Latino perspective.

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